Let Go of Our Costumes: 1988–1989

Plots of Freedom – The Cry of Samba for Democracy • Season 1 • Episode 5

About this episode

In a time of artistic flourishing, samba schools produced some of their most impactful parades. Notably, Beija-Flor's 1989 performance, "Ratos e Urubus, Larguem Minha Fantasia," used recycled materials to critique social issues, and featured a censored depiction of a destitute Christ figure, highlighting tensions between artistic freedom and societal norms.