Fragment nul uur nul chimes with the tune of such a symphony, yet plays eclectically with form and image. A hidden gem, it was originally conceived as a backdrop to a theatre play and offers, if you will, a form of expanded theatre/cinema. The Filmliga protagonists‘ practice to cut up films as they seemed fit, or to show only fragments and loose ends to support their aesthetic preferences, is reflected here.
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NL
Year
1928
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