Killer Women

Sonia has endured the infidelities of her husband, Fernando, for years, all out of fear that he will leave her. When he meets Marcela, his current lover, fear turns into hatred.

Mónica suffers from constant abuse from her mother, Beatriz Fernández, who lives frustrated after her artistic career ended abruptly. Francisco, Mónica's boyfriend, gives her advice so she can get rid of her mother.

Teodora's uncle forces her to live with Jorge and his parents after finding out about the romance between the two. Jorge and Margarita belong to a religious cult where torture is the main motivator.

Jessica is tired of her husband Rodolfo's abuse, with whom she has a small son. Rodolfo gets seriously ill.

Martha, Pablo Sandoval's ex-wife, returns from Puebla and visits his house unexpectedly, taking her children without their father's permission. Pablo tells DIEM about the relationship he had with Martha and the details of their separation thanks to her mental disorders.

Claudia, a young drug addict, lives aimlessly, having no children, no husband, no mother to turn her away from an irremediable destiny. She decides to rob her ex-in-laws' house with her lover, but the owners of the house are still there.

A mentally disturbed woman attacks her husband's alleged lover after harassing her incessantly.

The Garridos live in a small town as guests in the house of Concha Garrido's husband. Concha begins to rebel against her husband's abuse when she realizes that her nephew is beginning to follow in her footsteps.

In Laura's schizoid mind, realities are confused and she questions whether she is the culprit of her mother's murder, or if she is her own murdered mother, or if her boyfriend is the representation of her father, her mother's murderer.

Ana and Paula have a beautiful relationship until Ana's work decisions begin to distance them. Juan Enrique, the director of the theater play where Paula works, takes advantage of the situation to force Paula to have sexual relations with him.

Rosa, an ambitious hairdresser, will find in the elderly Inés a real possibility to escape her poverty, but in the perverse game of lies and manipulation that Inés establishes, no one knows who will turn out to be the victim.

Tita dedicates herself to swindling her friends by convincing them to invest their money with her in a large fund and then, when they ask for their capital back, she murders them.

Irma, a girl who loves fish, is married to Alfonso, a concert pianist much older than her. Her marriage full of violence and humiliation clouds Irma's judgment, leading her to think that there is no way out of her terrible situation.

Elena moves to Pablo and his wife Claudine's house due to the convalescence she suffers thanks to a fall. The unhealthy love that Elena feels for her brother Pablo causes her to commit something crazy trying to defend him.

Hilario, Azucena's grandfather, sells her to Mr. Gregorio to be his wife in exchange for a small monthly payment to be able to survive in the town. Azucena, tired of the abuse her husband gives her, decides to put a stop to the situation.

Luz Blanco dedicated herself to murdering her 4 husbands in order to collect her insurance policies and avoid financial problems. Now, she teaches this lifestyle to her daughter Norma and her granddaughter Estela.

Eliana has had a lesbian romance with Joana at school, although she never accepts her homosexuality. Now older, and sublimating that love for her, she has married Franco, Joana's brother. Things get complicated when Joana, assumed without problems, reappears.

Mercedes and Elvira move to Mexico City to improve their quality of life. When Mercedes realizes that her husband Domingo is sexually abusing her daughter Lupita, she decides to take revenge.